Vorige week maakte Sight & Sound de uitslag bekend van zijn tien jaarlijkse rondvraag langs critici en regisseurs naar de beste film aller tijden. Vertigo eindigde als eerste bij de critici, Tokyo Story bleek favoriet onder de regisseurs. Maar wie had wat gestemd? Dat hield Sight & Sound nog geheim.
Inmiddels weten we meer. Van een groot deel van de 358 regisseurs die geraadpleegd zijn is de keuze bekend. Het is voor filmliefhebbers een rijke bron. De lijstjes van de regisseurs vertellen iets over hun eigen helden en voorbeelden. Ze vormen bovendien een fraaie collectie filmtips van de mensen aan wie je ze het liefst zou vragen. Nog nooit van As en diamant gehoord? Volgens Francis Ford Coppola en Martin Scorsese mis je iets geweldigs.
Daarbij: regisseurs zijn graag excentriek. Dat maakt hun lijstjes een stuk sappiger dan die van de critici. Je blijft je verbazen. Goh, Asghar Farhadi vindt Take the Money and Run dus de beste van Woody Allen. Zo, die Miranda July geneert zich ook niet voor haar innerlijke bakvis. Leuk, Mike Leigh noemt Roy Andersson. Krijg nou wat, Michael Mann, Avatar, meen je dat nou?
De vijftien interessantste regisseurslijstjes van Sight & Sound
Woody Allen (Annie Hall)
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| * Ladri di biciclette (1948, Vittorio De Sica)
- Het zevende zegel (1957, Ingmar Bergman)
- Citizen Kane (1941, Orson Welles)
- Amarcord (1973, Federico Fellini)
- 8½ (1963, Federico Fellini)
- Les 400 coups (1959, Francois Truffaut) | * Rashomon (1950, Akira Kurosawa)
- La grande illusion (1937, Jean Renoir)
- Le charme discret de la bourgeoisie (1972, Luis Buñuel)
- Paths of Glory (1957, Stanley Kubrick) |
Richard Ayoade (Submarine)
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| * Persona (1966, Ingmar Bergman)
- Le mépris (1963, Jean-Luc Godard)
- Raging Bull (1980, Martin Scorsese)
- Ordet (1955, Carl Theodor Dreyer)
- Barry Lyndon (1975, Stanley Kubrick)
- The Apartment (1960, Billy Wilder) | * Crimes and Misdemeanors (1989, Woody Allen)
- Tokyo Story (1953, Yasujiro Ozu)
- Make Way for Tomorrow (1937, Leo McCarey)
- Badlands (1973, Terrence Malick) |
Bong Joon-Ho (Mother)
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| * A City of Sadness (1989, Hou Hsiao-hsien)
- Cure (1997, Kiyoshi Kurosawa)
- The Housemaid (1960, Kim Ki-young)
- Fargo (1996, Joel en Ethan Coen)
- Psycho (1960, Alfred Hitchcock)
- Raging Bull (1980, Martin Scorsese) | * Touch of Evil (1958, Orson Welles)
- Vengeance Is Mine (1973, Shohei Imamura)
- Le salaire de la peur (1953, Henri-Georges Clouzot)
- Zodiac (2007, David Fincher) |
Francis Ford Coppola (The Godfather)
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| * As en diamant (1958, Andrzej Wajda)
- The Best Years of Our Lives (1946, William Wyler)
- I vitteloni (1953, Federico Fellini)
- The Bad Sleep Well (1960, Akira Kurosawa)
- Singin' in the Rain (1952, Stanley Donen en Gene Kelly) | * Yojimbo (1961, Akira Kurosawa)
- The King of Comedy (1983, Martin Scorsese)
- Raging Bull (1980, Martin Scorsese)
- The Apartment (1960s, Billy Wilder)
- Sunrise (1927, F.W. Murnau) |
Jean-Pierre en Luc Dardenne (Le gamin au vélo)
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| * Accatone (1961, Pier Paolo Pasolini)
- The Big Heat (1953, Fritz Lang)
- Dodesukaden (1970, Akira Kurosawa)
- Germania anno zero (1948, Roberto Rossellini)
- Loulou (1980, Maurice Pialat) | * Modern Times (1936, Charlie Chaplin)
- The Searchers (1956, John Ford)
- Shoah (1985, Claude Lanzmann)
- Street of Shame (1956, Kenji Mizoguchi)
- Sunrise (1927, F.W. Murnau) |
Asghar Farhadi (A Separation)
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| * Rashomon (1950, Akira Kurosawa)
- La strada (1954, Federico Fellini)
- The Godfather (1972, Francis Ford Coppola)
- Tokyo Story (1953, Yasujiro Ozu)
- The Apartment (1960, Billy Wilder)
- Taxi Driver (1976, Martin Scorsese) | * Trois couleurs: rouge (1994, Krzysztof Kieslowski)
- Take the Money and Run (1969, Woody Allen)
- Scènes uit een huwelijk (1973, Ingmar Bergman)
- Modern Times (1936, Charlie Chaplin) |
Michel Hazanavicius (The Artist)
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| * City Girl (1930, F.W. Murnau)
- City Lights (1931, Charlie Chaplin)
- To Be or Not To Be (1942, Ernst Lubitsch)
- Citizen Kane (1941, Orson Welles)
- The Apartment (1960, Billy Wilder)
- The Shining (1980, Stanley Kubrick) | * North by Northwest (1959, Alfred Hitchcock)
- The Third Man (1949, Carol Reed)
- Raging Bull (1980, Martin Scorsese)
- Sneeuwwitje en de zeven dwergen (1937, Walt Disney) |
Martin Koolhoven (Oorlogswinter)
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| * Amarcord (1973, Federico Fellini)
- Blade Runner (1982, Ridley Scott)
- C'era una volta il West (1968, Sergio Leone)
- Citizen Kane (1941, Orson Welles)
- Giù la testa (1971, Sergio Leone)
- Touch of Evil (1958, Orson Welles) | * Once Upon a Time in America (1984, Sergio Leone)
- De zeven samoerai (1954, Akira Kurosawa)
- Some Like it Hot (1959, Billy Wilder)
- The Thing (1982, John Carpenter) |
Miranda July (Me and You and Everyone We Know)
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| * Blind (1987, Frederick Wiseman)
- Smooth Talk (1985, Joyce Chopra)
- Vertigo (1958, Alfred Hitchcock)
- After Life (1998, Hirokazu Koreeda)
- Somewhere in Time (1980, Jeannot Szwarc) | * Cheese (2007, Mika Rottenberg)
- Punch Drunk Love (2002, Paul Thomas Anderson)
- Le ballon rouge (1956, Albert Lamorisse)
- A Room With A View (1985, James Ivory)
- Fish Tank (2009, Andrea Arnold) |
Mike Leigh (Another Year)
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| * American Madness (1932, Frank Capra)
- Andrej Roebljov (1966, Andrej Tarkovski)
- Soy Cuba (1964, Michail Kalatozov)
- De Emigranten (1971, Jan Troell)
- How A Mosquito Operates (1912, Winsor McCay) | * Jules et Jim (1962, Francois Truffaut)
- Radio Days (1987, Woody Allen)
- Songs From the Second Floor (2000, Roy Andersson)
- Tokyo Story (1953, Yasujiro Ozu) |
Michael Mann (Heat)
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| * Apocalypse Now (1979, Francis Ford Coppola)
- Pantserkruiser Potjomkin (1925, Sergej Eisenstein)
- Citizen Kane (1941, Orson Welles)
- Avatar (2009, James Cameron)
- Dr. Strangelove (1964, Stanley Kubrick) | * Biutiful (2010, Alejandro Gonzalez Iñarritu)
- My Darling Clementine (1946, John Ford)
- La passion de Jeanne d'Arc (1928, Carl Theodor Dreyer)
- Raging Bull (1980, Martin Scorsese)
- The Wild Bunch (1969, Sam Peckinpah) |
Steve McQueen (Shame)
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| * The Battle of Algiers (1966, Gillo Pontecorvo)
- Zero de conduite (1933, Jean Vigo)
- La règle du jeu (1939, Jean Renoir)
- Tokyo Story (1953, Yasujiro Ozu)
- Couch (1964, Andy Warhol)
- Le mépris (1963, Jean-Luc Godard) | * Beau travail (1998, Claire Denis)
- Once Upon a Time in America (1984, Sergio Leone)
- Le salair de la peur (1953, Henri-Georges Clouzot)
- Do the Right Thing (1989, Spike Lee) |
Martin Scorsese (Taxi Driver)
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| * 8½ (1963, Federico Fellini)
- 2001: A Space Odyssey (1968, Stanley Kubrick)
- As en diamant (1958, Andrzej Wajda)
- Citizen Kane (1941, Orson Welles)
- Il Gattopardo (1963, Luchino Visconti)
- Paisan (1946, Roberto Rossellini) | * The Red Shoes (1948, Michael Powell en Emeric Pressburger)
- The River (1951, Jean Renoir)
- Salvatore Giuliano (1962, Francesco Rosi)
- The Searchers (1956, John Ford)
- Ugetsu Monogatari (1953, Kenji Mizoguchi)
- Vertigo (1958, Alfred Hitchcock) |
Quentin Tarantino (Pulp Fiction)
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| * The Good, the Bad and the Ugly (1966, Sergio Leone)
- Apocalypse Now (1979, Francis Ford Coppola)
- The Bad News Bears (1976, Michael Ritchie)
- Carrie (1976, Brian DePalma)
- Dazed And Confused (1993, Richard Linklater) | * The Great Escape (1963, John Sturges)
- His Girl Friday (1940, Howard Hawks)
- Jaws (1975, Steven Spielberg)
- Pretty Maids All in a Row (1971, Roger Vadim)
- Rolling Thunder (1977, John Flynn)
- Sorcerer (1977, William Friedkin)
- Taxi Driver (1976, Martin Scorsese) |
Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives)
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| * Goodbye Dragon Inn (2003, Ming-liang Tsai)
- A Brighter Summer Day (1991, Edward Yang)
- Regen (1929, Mannus Franken en Joris Ivens)
- Empire (1964, Andy Warhol) | * Valentin de la Sierras (1971, Bruce Baillie)
- The Conversation (1974, Francis Ford Coppola)
- Full Metal Jacket (1987, Stanley Kubrick)
- The Eighties (1983, Chantal Akerman)
- The General (1926, Buster Keaton)
- Sátántangó (1994, Bela Tarr) |
